quinta-feira, 30 de outubro de 2014

LES COULEURS DE SÉRAPHINE


Couleurs inspiré para les peintures naïve de
connu par
SÉRAPHINE  SENLIS
une vie improblable




Écharpes Hèrmes

TECU® Classic in Villa Las Brisas


 Viviana Volpicelli


Cenouras Envinagradas


Tory Burch Spring 2013


Valentino  SS 2015 & Céline 

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quarta-feira, 29 de outubro de 2014

NIKI DE SAINT PHALLE



French sculptor, painter and filmaker

WORK, STYLE & FAMILY
Read more here


Yves Saint Laurent ready-to-wear | Niki de Saint-Phalle sculpture | photo by Reg Lancaster, 1966



Shooting Painting
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 Niki de Saint Phalle is perhaps best known for her Fontaine Stravinsky works on display outside the Centre Pompidou in Paris. Niki de Saint Phalle with her mother Jacqueline, her daughter Laura and her grand daughter Bloum, ca. 1973/1974 © 2007, Niki Charitable Art Foundation Photographer: Laurent Condominas


terça-feira, 28 de outubro de 2014

A STONE HOUSE NEAR THE SEA


The Atmosphere in ALEXANDRE BETAK´HOUSE in Maiorca

“The house I did for myself, my family and my friends,” 


Fashion show producer, art director and designer Alexandre de Betak lounges in the sitting room of his remote island home in the northern Tramuntana hills of Majorca, in this month’s episode of In Residence. Like almost every other room at Son Muntaner, the house has a devastating view of the Mediterranean sea, and during summer evenings when the sun finally sinks into the water, each of its undulating walls turn neon pink.

NOWNESS

In Residence:ALEXANDRE BETAK

See the filme here


“The house I did for myself, my family and my friends,” he says. “There’s no ‘work-for-hire’ there, it’s incredibly personal.” Outside, the façade of the classical Majorquian finca nestling among an expanse of olive groves belies its playful interior: curvaceous, white plastered walls are punctuated with quirky design details such as Darth Vader candles, R2-D2 lamps, rock-encased computer screens, 1970s pin-ups (“they’re my mascots––I don’t move without them”), and aFlinstones-inspired tub. “I love that kind of binary, communitarian, organic white architecture of the 1960s and 1970s,” 







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