terça-feira, 23 de fevereiro de 2016

PORKY HEFER & HUMAM NEST

                                                         



"Custom hanging “Nest” sculptures by Porky Hefer, made from woven cane with metal framing & jute ropes." Read more in..






Photos via Artsy & Hipperalergic

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sexta-feira, 19 de fevereiro de 2016

AS PALAVRAS





Seja qual for o "momento" fica contido em palavras a vibrar, nada existe sem elas, fazendo parte integrante de tudo o que somos, são o ar de quem já respirou, o abrigo, a arma, a calma e a serenidade, mas também a raiva, a vertigem, a injustiça, modeladas ou trabalhadas em pequenos ou grandes cenários de linguística, são a composição, a cantata, a sinfonia que nos faz sentir que a vida também são...as palavras

AS PALAVRAS
Exposição de José Pinto Correia

na 

Ler mais em..


As Palavras-Título 2015 l Assemblage 27x27 l Colagem e tiras de papel l  Desconstrução do livro "As Palavras" de Jean Paul Sartre



As Palavras-Texto 2015 l Assemblage 27x27 l páginas cortadas em tiras, no sentido das linhas Desconstrução do livro "As Palavras" de Jean Paul Sartre

As Palavras-Texto 2015 l Assemblage 27x27 l páginas cortadas em tiras, no sentido das linhas Desconstrução do livro "As Palavras" de Jean Paul Sartre



Biblioteca livros brancos 2015 l Assemblage 25x25 l folhas de revista, cordão de algodão.



Biblioteca livros brancos 2015 l Assemblage 25x25 l folhas de revista, cordão de algodão.


Sombra Branca 2015 l Assemblage 25x25 l tela algodão, tinta acrílica, desenho a tinta preta, colagem de papel, arame, papel impresso.Cão plástico.
Outono das Palavras 2015 l Assemblage 25x25 l Acrílico e desenho a tinta sobre pano de algodão, pasta de moldar, arame, papel recortado e desenhado.

Análise de Palavras 2015 l Assemblage 25x25 l Acrílico sobre pano de algodão, acrílico sobre pasta de moldar, tubos de ensaio, fragmentos e tiras de papel impresso, colagem.

Nenhuma Inquietude 2015 l Assemblage 25x25 l Acrílico, desenho e escrita a tinta preta sobre pano de algodão, pasta de moldar, colagem de papel impresso e desenhado, linha preta e vermelha.

Cérebro Planificado l 2015 l Assemblage 25x25 l Arame de cobre, linha, contas de vidro, papel pintado e escrito, papel impresso, medalhas metal, ardósia gravada, circuito electrónico, insecto, pasta de moldar.

Photos by DAzulterrA l Ipad

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AS PALAVRAS DO CORAÇÂO


Quando o Coração se Junta ás PALAVRAS .

Exposição de José Pinto Correia
na
A Clínica do seu Coração






Photos by DAzulterrA l IPAD
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quarta-feira, 17 de fevereiro de 2016

ATELIER BRANCUSI

Sleeping Muse l 1910

Atelier Brancusi at the Centre Georges Pompidou in Paris, France.

"Known as the patriarch of modern sculpture, Constantin Brancusi (1876-1957) was born in Romania, but made his career in France. After studying in Bucharest and Munich, the sculptor received additional training at the prestigious École des Beaux-Arts in Paris, France, working under fellow sculptors Antonin Mercié and Auguste Rodin."
  Read more in Dwell

 Self-portrait of Constantin Brancusi, taken in the studio in 1933-34. (Photograph courtesy of Mnam)
Reconstrution by Renzo Piano


Photos via Dwell & HC l collages by DazulterrA

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sexta-feira, 5 de fevereiro de 2016

AGNONA



Agnona, established in 1953 by Francesco Ilorini Mo in Borgosesia, Italy, began as a fine wool textile manufacturer and became the leading supplier of fabrics for prestigious fashion maisons such as Chanel, Dior and Balenciago. Ermenegildo Zegna, which was also among its clients, decided to buy the company in 1999 to guide it on the path of success and international fame. Much progress has been made since 1999, thanks to the opening of several directly-owned boutiques and the brand's consolidated presence in the most exclusive department stores around the globe.





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quinta-feira, 4 de fevereiro de 2016

quarta-feira, 3 de fevereiro de 2016

TRIBAL SPIRIT

Photo by Margaret Courtney-Clarke
 AFRICAN CANVAS
as inspiration for fashion SS 2016 campaign









AFRICAN CANVAS

 

AFRICAN CANVAS
by


The Art of Africa is a casualty

of colonial exploitation, surviving
principally in the museums of
other countries.
Nadine Gordimer


My objective in this work is to document an extraordinary art form - vernacular art and architecture in West Africa - that is not transportable and therefore not seen in museums around the world.


 It is an attempt to capture the unseen Africa, a glimpse into the homes and into the spirit of very proud and dignified peoples.


In much the same way as I photographed the art of Ndebele women, I have drawn on my personal affinity for the art itself, for methods, design and form, rather than the socio-anthropological or political realities of a people or continent in dilemma.



 These images portray a unique tradition of Africa, a celebration of an indigenous rural culture in which the women are the artists and the home her canvas. Margaret Courtney-Clarke




Margaret Courtney-Clarke is one of those rare individuals who not only thinks about life, what it means and what treasures it holds in store, but deservedly stands in that edifying tradition of photo-journalism that illuminates the human spirit. Her photography and her acclaimed books, notably her trilogy Ndebele, African Canvas & Imazighen, as well as her contributions to numerous other publications are deeply human and nuanced in their thought as well as being imbued with a rare spirit of dignity and love.by Prof. Andre' du Pisani

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